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Vogue Magazine

The Vogue Magazine is one of the most reputable fashion and lifestyle magazines worldwide. Voque is published in several countries around the world by Condé Nast Publications. This is why you can get the Vogue Magazine in different editions: There is a Vogue Magazine in Australia, Brasil, China, Germany, Greece, Italy, Korea, Japan, Mexico, France, Portugal, Russia, Spain, Switzerland, Taiwan, United Kingdom and the United States. However, the european Issues from the fashion Cities/ countries Paris (france) and Italia are arguably the most influential magazines of the fashion world.
Below you can find a links for subscribing to the US and the UK Vogue Magazine.

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Under the ownership of New York-based magazine publisher Condé Nast and through a succession of women editors, Vogue is most famous as a presenter of images of high fashion and high society, but it is also publishes writings on art, culture, politics, and ideas. On the way, it has helped to enshrine the fashion model as celebrity. Its success and influence have not been universally lauded, and Vogue is regularly criticized, along with the fashion industry it writes about, for valuing wealth, social connections, and low body weight over more noble achievements. The magazine surged in subscriptions during the depression and World War II. Its photography at the time reflected the imagery of contemporaneous Hollywood films: staged and luxurious.

The historic relationship between Vogue and supermodels began with top fashion model Lisa Fonssagrives who appeared on over 200 Vogue covers. As shown on the cover to the right, Fonssagrives at the height of her career could be both sophisticated and yet a cook, something with which every American woman could identify. Her presence in nearly every fashion magazine from the 1930s to the 1950s, from Town & Country, Life, Vogue, and the original Vanity Fair to the cover of Time helped to build her name recognition, and the importance of Vogue in helping a model reach “supermodel” status. Being on the cover of Vogue became a symbol of success for models. Regular appearances on the cover of Vogue establishes supermodels such as Gemma Ward, Jessica Stam, and Daria Werbowy. Multiple Vogue covers becomes a cornerstone of being considered a supermodel.

But Vogue truly hit its stride under the leadership of editor-in-chief Jessica Daves and art director Alexander Liberman, when it began to publish the work of photographers Irving Penn and Richard Avedon. Penn and Avedon broke decisively with the stuffy conventions of previous fashion photography: Penn by a stripped-down minimalism that left his subjects in bare studios against stark empty backgrounds; Avedon by breaking out of the confines of dispassionate, static studio tableaux and shooting dynamic pictures of models at the height of emotion and in the middle of action. The influence of both approaches to fashion photography can still be seen in the pages of every fashion magazine today.

In the 1960s, with famed editor-in-chief and personality Diana Vreeland in charge, the magazine rose to the occasion of this candy-colored, youth-oriented decade of sexual revolution by focusing more on the exciting fashions of the times, through daringly playful, theatrical, and straightforwardly sexual editorial features. Vogue also continued making household names out of pretty faces, a practice that continued with Suzy Parker, Twiggy, Penelope Tree, and others.

Under the tenure of editor-in-chief Grace Mirabella through the 1970s and 1980s, the bimonthly magazine became a monthly, and the revolutionary air of the sixties gave way to more practical clothing. The magazine’s female audience was no longer in the kitchen dreaming of a better life. It was heading out every morning for work, and editorial changes reflected this new reality.

The current editor-in-chief of American Vogue is Anna Wintour, noted for her trademark bob and her practice of wearing sunglasses indoors. Wintour’s Vogue aggressively nurtures new design talent, and her presence at fashion shows is often taken as an indicator of the designer’s profile within the industry. Wintour’s notoriously demanding personality at Vogue was the subject of a roman à clef titled The Devil Wears Prada, which has also been made into a film.

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